Valentino
J. Brünnhilde
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The design of the phono stage embodies recent understanding in the area of psycho acoustics. It employs extremely high levels of negative feedback in order to reduce distortion levels across the entire audio band below the recognised thresholds of inaudibility. This ensures that the “ear” does not hear anything that is distinguishable from its own self-distortion, while contradicting the common audiophile fear of negative feedback. In effect it demonstrates that the problem with negative feedback is not that there is too much but that there is too little.