Håper det er greit om jeg henger meg på her?
Hva med å bruke en fiberklut, vil det bli for grovt?
Eller hva med sprayflaske med vindusvask og et kjøkkenhåndkle?
Mvh
R.
Jeg vet ikke hvor aggressiv den vindusvasken er..........
Problemet med kluter er vel i hvilken grad du fjerner dritten ift. å gni dritten bedre inn i rillene med kluten.
Jeg hadde/har en plass en sak som jeg kjøpet back in the days, børstene ligner på det som blir brukt på møbler for å fjerne smuss og hår, slik en enveis sak som ligner litt på velur og som hadde tre håndtak hvor det var plass til rensvæske inni, den funka veldig bra om platene ikke var for møkkete.
Skal se om jeg finner den og legge ut et bilde, sikker flere litt voksne som husker den fra 70-80 tallet.
Fåes nå også i en klarplast-versjon. Den er nok penere enn min gule, men den står jo ikke framme på stua.
Tar en halv time nå og da og vasker flere etter hverandre når jeg først har det framme.
Børste bruker du til hverdags.
99 kr Clas Ohlson:
200kr Hifi butikk:
Denne står det skrevet Clearaudio på,men fåes også som audioqest, Stanton, Pro-Ject, thorens osv.
De er identiske med Hama børste fra Clas Ohlson, men du kan doble prisen,-minst.
Jeg har også en Parastatbørste som ikke er å få tak i mer. Den har finhåret børste mellom en pute av velour på hver side.
Til å fjerne statisk elektrisitet bruker jeg Zerostat pistol.
Grønne planter øker luftfuktigheten i rommet, og bidrar til at statisk el.blir et mindre problem.
No synthesizers, vocal limiters, or samples of any sort were used on this album.
The song Guess You Had To Be There was omitted from this LP release to insure the highest sound quality possible.
Tracks were recorded at Nightingale Studio on a Studer 820, 24-track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape.
Included among the mics used on the recording dates were: Nuemann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.
The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two-track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut.
The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.
Mastered by Doug Sax with Tube Electronics at The Mastering Lab, Los Angeles
The Cramps, Smell of Female fra 1983
Conjuring a fiendish witches' brew of primal rockabilly, grease-stained '60s garage rock, vintage monster movies, perverse and glistening sex, and the detritus and effluvia of 50 years of American pop culture, The Cramps are a truly American creation much in the manner of the Cadillac, the White Castle hamburger, the Fender Stratocaster, and Jane Mansfield. Often imitated, but never with the same psychic resonance as the original, the Cramps celebrate all that is dirty and gaudy with a perverse joy that draws in listeners with its fleshy decadence, not unlike an enchanted gingerbread house on the Las Vegas strip. The entire psychobilly scene would be unthinkable without them, and their prescient celebration of the echoey menace of first-generation rock & roll had a primal (if little acknowledged) influence on the rockabilly revival and the later roots rock movement.
En grei gjennomgang. The Cramps
Flott plate, dette her. Analog som bare det ihvertfall til du måler den
Og finner ut at det ser ut som helt alminnelige 44.1- filer. Helt ok, det, men det tyder på at det ikke er digitaliseringen som gjør at noe låter "digitalt".
mvh
Harry Nilsson Flash Harry fra 1980
Produsert i USA men ikke utgitt der, et album som
kom tre år ette skiva Knniissonn. Han covrer Lennon,s
Old Dirt Road mens Ringo Starr spiller trommer på plata.
Vis vedlegget 223033
Betty Page, Jungle Girl fra 1980;D
Dette er exotisk musikk
Gir faan i musikken, det er bildene av Betty Page
som er viktige.
Det er flere. Vis vedlegget 223038
Vis vedlegget 223033
Betty Page, Jungle Girl fra 1980;D
Dette er exotisk musikk
Gir faan i musikken, det er bildene av Betty Page
som er viktige.
Det er flere. Vis vedlegget 223038
No synthesizers, vocal limiters, or samples of any sort were used on this album.
The song Guess You Had To Be There was omitted from this LP release to insure the highest sound quality possible.
Tracks were recorded at Nightingale Studio on a Studer 820, 24-track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape.
Included among the mics used on the recording dates were: Nuemann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.
The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two-track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut.
The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.
Mastered by Doug Sax with Tube Electronics at The Mastering Lab, Los Angeles
Fourty years after "Grand Wazoo" was released, it remains as much a stunning example of Zappa's uncompromising musical vision now as it did then.
Although it is accurate to say that it continued the Jazz explorations of "Waka Jawaka" or deserves to be compared with "Hot Rats" as one of Frank's most accomplished instrumental albums, this alone does not paint the full picture of what this album has to offer. "Grand Wazoo" is an astonishinng work of melodic inventiveness and orchestration, each of its tunes can leave you breathless with their wealth of ideas and ironic genius.
Zappa, as praised as he has been, remains deserving of further acknowledgement. What do I mean? This guy belongs to a very small and selected group of American composers without whom it would be literally impossible to think of American music, period.
Zappa -like Aaron Copland, Duke Ellington or Miles Davis, to name a few- in their own ways, were ... are! ... artists who transformed the musical genres they cultivated, and made them something they have never been before.
In Zappa's case, the amazing satirist he was or the tremedous guitar player he could be, often, overshadowed the seminal composer and arranger he's always been. This album does the latter complete and unarguable justice.
Spiller Engelske Free og deres Live plate fra 1971 Free was an Englishrock band formed in London in 1968 best known for their 1970 signature song "All Right Now". They disbanded in 1973 and lead singer Paul Rodgers went on to become a frontman of the band Bad Company along with Simon Kirke on drums. Lead guitarist Paul Kossoff formed Back Street Crawler and died from a drug-induced heart failure at the age of 25 in 1976. Bassist Andy Fraser formed Sharks.
The band was famed for its sensational live shows and nonstop touring. However, early studio albums did not sell very well – until the release of Fire and Water which featured the massive hit "All Right Now". The song helped secure them a place at the huge Isle of Wight Festival 1970 where they played to 600,000 people.
By the early 1970s, Free was one of the biggest-selling British blues-rock groups; by the time the band dissolved in 1973, they had sold more than 20 million albums around the world and had played more than 700 arena and festival concerts. "All Right Now," remains a rock staple, and had been entered into ASCAP's "One Million" airplay singles club.[1][2] Rolling Stone has referred to the band as "British hard rock pioneers".[3] The magazine ranked Rodgers No. 55 in its list of the "100 Greatest Singers of All Time",[4] while Kossoff was ranked No. 51 in its list of the "100 Greatest Guitarists of All Time".[3]
Free were signed to Island Records in the UK and A&M Records in North America. Both labels became part of the PolyGram group in 1989, then Universal Music Group in 1998; UMG now controls the band's catalogue worldwide.
![_DSC0069[1].jpg](data:image/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' width='975' height='650' viewBox%3D'0 0 975 650'%2F%3E)
