Sparks, Indiscreet fra 1975
Brainchild of the Mael brothers, who  produced experimental, often brilliant, danceable, and synth-driven  music from the early '70s.
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In the '70s and '80s, 
Sparks' American fans couldn't understand why the 
Mael  Brothers weren't as big in the United States as they were in England.  "Why don't more of our fellow Americans realize just how great these  guys are?" was the question that 
Sparks addicts in the U.S. often found themselves asking. Whatever the reason, British audiences really connected with 
Sparks' goofy, insanely clever lyrics -- and the fact that 
Russell Mael  sings like he could be an eccentric upper-class Englishman (although he  was born and raised in Los Angeles) probably didn't hurt. 
Indiscreet, which was the 
Mael Brothers' third album for Island and their fifth album overall, is state-of-the-art 
Sparks. The power pop melodies are consistently infectious, and the lyrics are as humorous as one expects 
Sparks  lyrics to be -- nutty gems like "Pineapple," "Happy Hunting Ground,"  "Tits," and "Get in the Swing" will easily appeal to those who like to  think of 
Russell and 
Ron Mael as the pop/rock equivalent of Monty Python's Flying Circus. Like other 
Sparks releases of the '70s, 
Indiscreet  did much better in England than it did on the North American side of  the Atlantic. In the U.S., this 1975 LP appealed to a small but  enthusiastic cult following -- in Great Britain, 
Indiscreet was a big seller and appealed to a much larger and broader audience. Over the years, 
Sparks has experimented with everything from hard rock to Euro-disco. But power pop is the primary focus of 
Indiscreet, which went down in history as one of the band's best '70s albums.