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BECK - ODELAY
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BECK - ODELAY
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BECK - SEA CHANGEBeck's major label debut, MELLOW GOLD, introduced him in 1994 but it was ODELAY two years later that became a bellwether for the alternative rock movement. Now, a dozen years after its original release, ODELAY has been expanded into a two-CD DELUXE EDITION with the addition of two never-before-released tracks, a soundtrack contribution, an earlier indie-issued track, and 15 recordings heard on U.K., Japanese and Australian albums, singles, and EPs never released in the U.S. Voted Best Album of the Year in The Village Voice Jazz & Pop Critics Poll and Grammy winner for Best Alternative Music Performance, Odelay charted Top 20 and earned double platinum. "Where It's At," which won the Grammy for Best Male Rock Vocal Performance, and "The New Pollution" charted Top 10 Modern Rock, "Jack-Ass" Top 20 and "Devil's Haircut" Top 30.
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CHUCK BERRY - CHUCK BERRY IS ON TOP - ST. LOUIS TO LIVERPOOLBeck is bummed. Really bummed. And if song titles such as "Lost Cause," "Lonesome Tears," "Already Dead," and "Nothing I Haven't Seen" don't make the point, his achingly sad lyrics and Sea Change's unerringly downcast sound do. While 1998's Mutations--arguably the singer-songwriter's masterwork and Sea Change's spiritual cousin--was filled with unflinching self-examination, moments of levity were found in songs like "Tropicalia." Not so on Sea Change. Beck's woozy, almost narcoleptic delivery seems to amplify the set's sense of ennui. But sad isn't necessarily bad, and despite the somber tone, there's much to praise, not the least of which is the return of producer Nigel Goderich (Mutations, Radiohead), who wraps Beck's gloom in a dreamy, warm blanket of soft strings and floating bleeps and gurgles. Like Daniel Lanois, Goderich is all about vibe, and even Beck's most bare-bones songs benefit from billowy atmospherics. That's especially true of "Paper Tiger," a restless, slowly building epic improbably propelled by a languid orchestra and Beck's expressionless drone. The inky black feel of "Round the Bend"--a glacially slow dirge with muffled vocals--may be the darkest thing Beck's ever written, not counting the very grim "Already Dead." Whatever's going on in Beck's world, at least we know he's purging, which, all things considered, may be better for his soul than ours.
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LITTLE FEAT - DIXIE CHICKENAfter the laborious but rewarding work put into their Little Richard hits package (SACD 2028) in 2006, MoFi turned its sights on finalizing the production on two classic albums by the legendary Chuck Berry. Nearly two years and fifteen analog reels of tape later, we are truly excited about the exclusive pairing of ..Berry Is On Top (1959) with St. Louis To Liverpool (1964). Like the Richard albums, both Berry titles originally were compilations that Chess Records had actually assembled from singles and various sessions for their 12 debuts. While lucky with St. Louis to Liverpool, whose reels had been retained intact, the real fun was ..Berry Is On Top, where the majority of songs were each on separate spools which had to be hunted down, identified and auditioned. The result: a miniature jukebox containing over a dozen of some of the biggest hits in music, including five top ten charters by another one of the true architects of rock and roll! ... tell Tchaikovsky the news!
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LITTLE FEAT - SAILIN' SHOESEverything came together for Little Feat's third album. An expanded lineup gave the Feat a more supple rhythmic base, Lowell George penned some of his strongest numbers, and they developed an oozy studio sound that suited them to a T. The title track, "Fat Man in a Bathtub," and "Two Trains" distilled compounded rhythms, wailing background vocals, and adroit wordplay into an intoxicating soul-rock swill. In many ways, Dixie Chicken stands as a kind of kissing cousin to the Rolling Stones' Exile on Main Street, which hit the streets one year earlier. While not as expansive as the Stones' magnum opus, its highlights are every bit as spectacular.
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RICKIE LEE JONES - FLYING COWBOYSSailin' Shoes demonstrates just how briskly Little Feat was developing in their early 1970s formative years. A pronounced step up from the Southern California quartet's critically praised 1971 debut, it's not as fully realized as the Feat's 1973 zenith, Dixie Chicken. But it's not far behind, and that's saying something. The final recording made by the original quartet (the band swelled to six members after founding bassist and Mothers of Invention alumni Roy Estrada split), Little Feat circa 1972 is a lean, energetic outfit. "Cold, Cold, Cold," "Tripe Face Boogie," "Apolitical Blues," and "Teenage Nervous Breakdown" are blunter rockers than what would follow. Lowell George's title track and Bill Payne's "Got No Shadow" and "Cat Fever," meanwhile, presage the more limber direction the group was headed
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ROY ORBISON - THE ALL TIME GREATEST HITS OF ROY ORBISONLike only a handful of her contemporaries, Rickie Lee Jones creates music that defies clear-cut labeling. You can hear elements of old-school country, jazz, and a Fleetwood Mac-esque brand of pop in her tunes. Clearly though, her music is lyric driven, and FLYING COWBOYS is no exception. Each tune is poetic, and the passion of Jones's singing supports songs about loneliness and despair, and, alternately, the occasional ode to triumph and joy. The latter is best epitomized by the first track on the album, "The Horses," a gorgeous song dedicated to Jones's daughter.
Producer Walter Becker places his distinctive stamp on FLYING COWBOYS. Employing many of Becker's longtime associates (including saxophonist Bob Sheppard, who shines on "Don't Let the Sun Catch You Crying"), and other elite Los Angeles studio pros, the record carries that signature, studio-honed sound that he helped to define with Steely Dan.
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After much success (and a little luck) with their Little Richard hits packages, MoFi next visited the Sony vaults to identify and audition the original masters of another rock pioneer. This famous Roy Orbison collection had originally been compiled by Monument Records in 1972 and has stayed in print ever since. Permission to bring the first-generation masters to California for direct transferring was eventually granted (most for the first time*). We are very pleased to say that the resulting MoFi Gold CD (and LP version) now set the standard in the mastering of these historic songs.
Before being wooed away by the old MGM Records label, Orbison experienced an astonishing run for Monument, placing fifteen singles (all included here) in the Top 100 on the pop and country charts.
*Mobile Fidelity Sound Lab released Roy Orbison Sings Lonely And Blue on gold CD in 1998, utilizing the same masters that were utilized here for Only The Lonely, Blue Angel and Im Hurtin.