WayAhead
Æresmedlem
Har startet "rekonstruksjonen" av det gamle x/FI anlegget fra 1974. Det gjenstår noe arbeid på ES200 høyttalerene så på opptaket under er disse erstattet med lilleputtene JBL Control 1Xtreme. Lydopptaket (se bort fra bakrunnstøy osv gad ikke gjøre det om igjen) er utført med ZOOM*H5 i 44/16 og er ikke "redigert" eller tuklet med på annen måte. Lyden som her gjengis rettferdiggjør naturligvis ikke det man hører - tross alt...
Det blir garantert et "løft" i lyden når ES200ene er oppe & spiller. Regner med å poste ny video da. Well, ....
Det blir garantert et "løft" i lyden når ES200ene er oppe & spiller. Regner med å poste ny video da. Well, ....
http://vimeo.com/307357930
"Materialliste:"
SR-212
ADC ZLM
AMP
LI
FIED
AU-9500
Bildet viser en annen modell men de er like å se på.
ES100
ES200
Om lillebroren ES100:
https://vinylborsen.com/hogtalare/21414-sansui-es-100.html
"Materialliste:"
SR-212
ADC ZLM
AMP
LI
FIED
AU-9500
Bildet viser en annen modell men de er like å se på.
ES100
ES200
Om lillebroren ES100:
https://vinylborsen.com/hogtalare/21414-sansui-es-100.html
SANSUI AND EVERYTHING CLEAR ...
Sansui ES-100
The set presented is a modest-looking loudspeaker design with great sound. This is an outstanding example of the fact that a wisely planned housing is half the battle. These two-way compact monitors provide unique musical information. The music that flows from them sounds extremely emotional. The sound is incredibly spacious, detached from the housing. Microdynamics at a very high level. The construction from the 70th year could be a model for modern monitors. Beautiful masks in the style of Kabuki, monitors extremely universal in sound. Lars Danielsson and his album "Mélange Bleu" from 2006 served us to listen to this remarkable construction. The music composed by the same tales, including Bugge Wesseltoft and Nils Petter Molvaer. Norwegian musicians, who largely dominated the scene of new jazz in Europe. The record was released in the famous Munich outbuilding of ACT music. This label has been known for many years from a high artistic level and above all from great realizations. Sound sophisticated, for a listened audiophile, on which the "flexing muscles" and the huge dynamics are no longer impressive. Here we have a great culture. Very natural and not over-drawn high tones. Subtlety and delicacy, which is so rare in contemporary loudspeaker constructions. High efficiency, makes the Sansui ES-100 are also ideal for low power amplifiers, as well as tube designs, I heartily recommend.
Sist redigert: