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Her er hva Seigfried Linkwitz skriver om boka:Book Description
The essential guide to sound reproduction, offering practical advice on the room-loudspeaker system and entire sound reproduction chain from a leading expert in the field.
Product Description
Floyd Toole, a leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment systems. This comprehensive work considers the whole sound reproduction chain from multi channel audio configurations and the loudspeaker/room system to acoustics and psychoacoustics and the evaluation process.
Part 1 shows the reader how to create the best listening experience, offering practical approaches to the sound reproduction chain. Parts 2 and 3 are an in-depth consideration of acoustics and psychoacoustics - the science behind Part 1.
* How to design a great audio system - for a home entertainment system or a professional recording control room
* Offers a comprehensive look at the sound reproduction chain offering practical advice and helpful graphics throughout
* Learn from a leading expert in sound reproduction - Floyd Toole provides essential knowledge in a highly readable and entertaining style
Skulle være lærerik for både målere og sansere denne her altså. Jeg har dratt kortet.In this book Floyd Toole summarizes and explains conclusions from a lifelong involvement with audio. I highly recommend it to anyone interested in factual information about loudspeakers and listening rooms, about measurements, listening observations and their practical implications. It is lucidly written in easy to understand language, extensively illustrated and referenced. It deals with the reproduction of sound - which existed in a space - inside another space. My only regret is that the potential of 2-channel playback in doing so has not been fully explored. This is understandable because the conventional box loudspeaker with its frequency dependent directivity index has been used for almost all of the observations that are discussed. In fact, the particular interaction of a box loudspeaker with the listening room makes it more difficult for our ear/brain perceptual apparatus to hear the recording venue's space and acoustics, provided that such information has been captured in the recording process. Floyd focuses on multiple loudspeaker surround sound. He considers this approach to spatial sound reproduction as much more rewarding and he provides extensive practical information for that. The book is very comprehensive and in my opinion a "must-read" for loudspeaker designers, recording and mastering engineers, room-acoustic consultants, audio reviewers and audiophiles. The book is about theory and praxis. It debunks much of the BS that seems to have permeated the audio industry and many of its customers.
(@Moderatorer. Jeg har vurdert nøye hvor jeg skulle poste dette. Jeg vil ha en svært god forklaring om dere flytter tråden.)