Glimrende fjernstyrt preamp DAC selges pga. oppgradering. (digital volumkontroll)
Har alt av inn og utganger samt pre amp volumstyring.
XLR, RCA, USB, AES/EBU, 2 toslink og 2 coax.
Det følger med Mini toslink adapter om du kan hente digitalt ut fra headphone Jack utgangen på pc for bedre oppløsning. Og toslink kabel.
Ref;It's a little disappointing that USB only supports 24/48, but I'll be able to push it to 24/192 with the Toslink output from my laptop (just need a mini-toslink adapter since it's in the headphone jack).
Test:
http://www.hometheaterhifi.com/dacs/...udiophile.html
For mange fine bilder:
http://www.digitalaudioreview.net/20...iva-xda-1-dac/
?Analog Devices AD1955 24/192 chip
operating in fully differential mode
?High jitter resistance
?Digitally controlled volume stage
?Milled aluminium remote control
?All sample rates and bit depths supported, up to and including 24/192
?Fully discrete dual mono output
?Dual coaxial SPDIF digital inputs
?Dual optical SPDIF inputs
?Balanced AES/EBU digital input
?Asynchronous USB digital input: all bit/sample rates are handled without dedicated software drivers, but input higher than 24/48 is downsampled
?Signal-to-noise ratio: > 105dB (A-weighted)
?THD+N: 0.001%
?Noise floor:
Dual mono differential architecture, separate power supplies for digital and analog sections, direct-coupled output stage, 24/192 D-A, attenuation . . . this DAC has a dream spec before you factor in the remote control and goodies like AES/EBU input and balanced output. Not to mention dual optical and coaxials in addition to its asynchronous 24/96 USB transceiver. How could it not sound great?
Sure enough, in audition, it proved to be outstanding: think of it as a dime-store Benchmark DAC1: a well lit top-end, deep and clean down below, and free of any obvious colouration. It doesn't, however, follow the stock Benchmark's propensity for tonal leanness or grainy treble. But it clearly aspires to be truthful and revealing rather than warm and cuddly. And in absolute terms, its performance is surprisingly close to the Benchmark.
Combined with a Swan M200 II or III, this would make a killer sub-£700 all-in system, and will bring a welcome shot of neutrality, drive and resolution to any system with the capacity to reveal it.
Har alt av inn og utganger samt pre amp volumstyring.
XLR, RCA, USB, AES/EBU, 2 toslink og 2 coax.
Det følger med Mini toslink adapter om du kan hente digitalt ut fra headphone Jack utgangen på pc for bedre oppløsning. Og toslink kabel.
Ref;It's a little disappointing that USB only supports 24/48, but I'll be able to push it to 24/192 with the Toslink output from my laptop (just need a mini-toslink adapter since it's in the headphone jack).
Test:
http://www.hometheaterhifi.com/dacs/...udiophile.html
For mange fine bilder:
http://www.digitalaudioreview.net/20...iva-xda-1-dac/
?Analog Devices AD1955 24/192 chip
operating in fully differential mode
?High jitter resistance
?Digitally controlled volume stage
?Milled aluminium remote control
?All sample rates and bit depths supported, up to and including 24/192
?Fully discrete dual mono output
?Dual coaxial SPDIF digital inputs
?Dual optical SPDIF inputs
?Balanced AES/EBU digital input
?Asynchronous USB digital input: all bit/sample rates are handled without dedicated software drivers, but input higher than 24/48 is downsampled
?Signal-to-noise ratio: > 105dB (A-weighted)
?THD+N: 0.001%
?Noise floor:
Dual mono differential architecture, separate power supplies for digital and analog sections, direct-coupled output stage, 24/192 D-A, attenuation . . . this DAC has a dream spec before you factor in the remote control and goodies like AES/EBU input and balanced output. Not to mention dual optical and coaxials in addition to its asynchronous 24/96 USB transceiver. How could it not sound great?
Sure enough, in audition, it proved to be outstanding: think of it as a dime-store Benchmark DAC1: a well lit top-end, deep and clean down below, and free of any obvious colouration. It doesn't, however, follow the stock Benchmark's propensity for tonal leanness or grainy treble. But it clearly aspires to be truthful and revealing rather than warm and cuddly. And in absolute terms, its performance is surprisingly close to the Benchmark.
Combined with a Swan M200 II or III, this would make a killer sub-£700 all-in system, and will bring a welcome shot of neutrality, drive and resolution to any system with the capacity to reveal it.
