Selger en integrert forsterker for en billig penge grunnet flytting.
2x80 watt sparker liv i de fleste høyttalere
Mørk og tilbakelent klang.
Prisen gjelder om du kan hente den før kl 12 på førstkommende lørdag. (Da går flyttelasset)
-----------------------------------
----- THE a100 INTERGRATED AMP ----
The a100 is the most affordable integrated stereo amplifier in the Opera Audio product line. There are almost no other competitors at or near its price. The solid-state amplifier has a simple design, is easy to use, and delivers pleasing sound with tube-like lucidity.
It is difficult to believe that this is a Chinese designed and built amplifier. It has a liquidity, smoothness, transparency and build quality which shames many of the so called "Audiophile Amplifiers)
Control Functions: Volume, Select, Power On/Off
Inputs: 1, 2 and 3
Output Power: 80W x2
Bandwidth at - 1dB (80W): 2Hz to 100kHz
Input Sensitivity for Rated Output: 440mv
Harmonic distortion + N: <0.02%(50W RMS, 1kHz)
Signal / noise: 90dB
Input interfaces: 3 groups (RCA)
Output interfaces: 1 group (RCA)
Input Impedance: 47k
Consumption: 50W
Power requirements: 120VAC ¡À 10%
Dimension: 430(L) x 336(W) x 72(H) mm
Weigh: 12kg(Net); 31LPS SHIPPING
---------------------------------
http://www.opera-consonance.com/Review/magazines042.htm
"CONSONANCE a100: CRYSTAL CLEAR
Consonance a100 does not reveal its origin neither by looks nor by sound quality. It looks most of all like a Danish amplifyer for sound purists- like Holfi, due to its light wooden front-but it is actually Chinese, hand built in Beijing.
The specifications tell us that it is a grown up amplifyer yielding 2x80W in 8 Ohm. There are three lines out, as well as a line out for sound recorder or other things. The loudspeaker outlets are solid and well functioning. The design is marked by simplicity and good components. The amplifyer is built with a passive attenuator with an Alps potentiometer. The output transformers from Toshiba are particularly well matched. Otherwise, we noted that the transformer is of a special type with oval and enclosed ring kernel, and probably hand wound. It is perfectly silent ¨C here are hardly any mechanical vibrations which can be transformed to the amplifyer's more sensitive parts.
It is easy to be carried away by the Consonance. Its open and airy presentation belongs among much more expensive amplifyers. Some may experience it as too laid back and restrained, but it reveals itself as extremely potent and rapid in response. On some loudspeakers it may present itself as slim around the hips, and some will miss more meat on the bone in the bass register. This is really the only complaint we have. When it counts, it shows itself as powerful and dynamic, full of life, regardless of what you play. Transients fly rapidly out of the loudspeakers, and it keeps rhytm firmly all the way.
You are a little further back in the hall compared to the AMC amplifyer, but miss nothing for that reason. The stereo perspective is wide and very deep. The resolution is so fine that one gets goose skin from the lively sopranos of classical opera.
Much of the nerve in the music is conveyed with gusto, and it is rich in details and is perferctly capable to separe performer from each other, even with complex music. This is one of the most refined amplifyers we have heard in a long time; the spatial definition is credible, and it plays all types of music with lively participation."
2x80 watt sparker liv i de fleste høyttalere
Mørk og tilbakelent klang.
Prisen gjelder om du kan hente den før kl 12 på førstkommende lørdag. (Da går flyttelasset)
-----------------------------------
----- THE a100 INTERGRATED AMP ----
The a100 is the most affordable integrated stereo amplifier in the Opera Audio product line. There are almost no other competitors at or near its price. The solid-state amplifier has a simple design, is easy to use, and delivers pleasing sound with tube-like lucidity.
It is difficult to believe that this is a Chinese designed and built amplifier. It has a liquidity, smoothness, transparency and build quality which shames many of the so called "Audiophile Amplifiers)
Control Functions: Volume, Select, Power On/Off
Inputs: 1, 2 and 3
Output Power: 80W x2
Bandwidth at - 1dB (80W): 2Hz to 100kHz
Input Sensitivity for Rated Output: 440mv
Harmonic distortion + N: <0.02%(50W RMS, 1kHz)
Signal / noise: 90dB
Input interfaces: 3 groups (RCA)
Output interfaces: 1 group (RCA)
Input Impedance: 47k
Consumption: 50W
Power requirements: 120VAC ¡À 10%
Dimension: 430(L) x 336(W) x 72(H) mm
Weigh: 12kg(Net); 31LPS SHIPPING
---------------------------------
http://www.opera-consonance.com/Review/magazines042.htm
"CONSONANCE a100: CRYSTAL CLEAR
Consonance a100 does not reveal its origin neither by looks nor by sound quality. It looks most of all like a Danish amplifyer for sound purists- like Holfi, due to its light wooden front-but it is actually Chinese, hand built in Beijing.
The specifications tell us that it is a grown up amplifyer yielding 2x80W in 8 Ohm. There are three lines out, as well as a line out for sound recorder or other things. The loudspeaker outlets are solid and well functioning. The design is marked by simplicity and good components. The amplifyer is built with a passive attenuator with an Alps potentiometer. The output transformers from Toshiba are particularly well matched. Otherwise, we noted that the transformer is of a special type with oval and enclosed ring kernel, and probably hand wound. It is perfectly silent ¨C here are hardly any mechanical vibrations which can be transformed to the amplifyer's more sensitive parts.
It is easy to be carried away by the Consonance. Its open and airy presentation belongs among much more expensive amplifyers. Some may experience it as too laid back and restrained, but it reveals itself as extremely potent and rapid in response. On some loudspeakers it may present itself as slim around the hips, and some will miss more meat on the bone in the bass register. This is really the only complaint we have. When it counts, it shows itself as powerful and dynamic, full of life, regardless of what you play. Transients fly rapidly out of the loudspeakers, and it keeps rhytm firmly all the way.
You are a little further back in the hall compared to the AMC amplifyer, but miss nothing for that reason. The stereo perspective is wide and very deep. The resolution is so fine that one gets goose skin from the lively sopranos of classical opera.
Much of the nerve in the music is conveyed with gusto, and it is rich in details and is perferctly capable to separe performer from each other, even with complex music. This is one of the most refined amplifyers we have heard in a long time; the spatial definition is credible, and it plays all types of music with lively participation."
