Confessions of a Vinyl Junkie, By David Bowie

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Confessions of a Vinyl Junkie

By David Bowie

Vanity Fair, November 2013


[HR][/HR]From his collection of 2,500 vinyl LPs, the rock star has selected his greatest discoveries, and some record-buying memories as well. One way or another, he writes, he has had to get these on CD.

There is really no way to do a list of my favorite albums with any rationality. I do only have about 2,500 vinyls. There is a possibility there. I’ll look through the albums and pull together a list of those I have re-bought or am in the process of re-buying on CD. I have little time, and there are just too many to sort through. So, I’ll keep pulling stuff out blindly, and if it’s too obvious (Sgt. Pepper, Nirvana) I’ll put it back again till I find something more interesting. A lot of the rock stuff I have is the same as everyone else’s, and I have so many blues and R&B albums that it would topple over into trainspotter world if I went that route.
O.K., no rules then. I’ll just make ’em up as I go along. I’d say half of this list below is now on my CD racks, but many are finding impossible to trace. The John Lee Hooker album, for instance, or The Red Flower of Tachai Blossoms Everywhere. I have done the only thing possible and burned them to CD myself, reduced the cover art down to size, and made reasonable simulacrums of the originals.
If you can possibly get your hands on any of these, I guarantee you evenings of listening pleasure, and you will encourage a new high-minded circle of friends, although one or two choices will lead some of your old pals to think you completely barmy. So, without chronology, genre, or reason, herewith, in no particular order, 25 albums that could change your reputation.




The Velvet Underground & Nico

The Velvet Underground

(1967, Verve)


Brought back from New York by a former manager of mine, Ken Pitt. Pitt had done some kind of work as a P.R. man that had brought him into contact with the Factory. Warhol had given him this coverless test pressing (I still have it, no label, just a small sticker with Warhol’s name on it) and said, “You like weird stuff—see what you think of this.” What I “thought of this” was that here was the best band in the world. In December of that year, my band Buzz broke up, but not without my demanding we play “I’m Waiting for the Man” as one of the encore songs at our last gig. Amusingly, not only was I to cover Velvet’s song before anyone else in the world, I actually did it before the album came out. Now that’s the essence of Mod.

 
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