Nyttårskonserten 2015

Steinar_Lund

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Enda mer seriøst: Arild Erikstad nevnte under sendingen at man hadde ønsket å fremføre Sibelius' Valse Triste, men at det strandet på en uenighet om rettigheter. Er det noen som vet noe mer om hvilke rettigheter det var snakk om?
Uansett var det Triste.
 

Ulf-B

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Jeg er ute på tynn is - som vanlig - men jeg tipper at det har noe med åndsverksloven å gjøre. I Norge er en komposisjon beskyttet i 70 år etter komponistens død - og jeg antar at det gjelder tilsvarende regler i Europa. Sibelius døde i 1957 - hvilket betyr at hans arvinger antageligvis har visse rettigheter m.h.t. om hans musikk skal kunne fremføres i et såpass profilert og, antageligvis også kommersielt, arrangement som Nyttårskonserten i Wien.
 

Steinar_Lund

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Jojo, men rettighetshaverne ville jo fått betalt, ville de ikke? For ikke å snakke om spinoff-effekten en fremførelse ved en slik anledning ville hatt.
 

weld77

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Orkesteret var angivelig for gnine: Her er hva rettighetshaveren (antar jeg...) sier i en pressemelding om saken:
Sibelius publisher: We never upped the fee for the Vienna Philharmonic – Slipped Disc

No Front-Row Seat for Sibelius, Regrettably Breitkopf & Härtel deeply regrets the decision of the Vienna Philharmonic Orchestra to withdraw Jean Sibelius’ “Valse triste” from the program of its 2015 New Year’s Concert. As grounds for its withdrawal, the orchestra claims that the publisher is demanding excessively high fees. This is not the case.

On the contrary, Breitkopf & Härtel’s initial offer was moderate already. Another substantial reduction of the fees, taking into consideration the special cultural aspect of the inauguration of the Sibelius Year in the frame-work of the New Year’s Concert, still failed to bring about an agreement.

The sole issue for the negotiation was the license fee claimed by the publisher for the film rights (synchronization rights). Only the broadcasting and public performance rights (via radio, television, etc.) of “Valse triste” are protected by performing rights organization (e.g. GEMA): they thus were not an issue in Breitkopf & Härtel’s contract offer. There were also no hire fees involved, since the sheet music to “Valse triste” is exclusively available as sales material and is subject to controlled prices in Germany and Austria.

Jean Sibelius would have deserved a “front row seat” at the concert marking the beginning of the year in which his 150th birthday will be celebrated far and wide. (Everywhere except Vienna.) - See more at: Sibelius publisher: We never upped the fee for the Vienna Philharmonic – Slipped Disc
 
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