Distinctive
Æresmedlem
Bakgrunn:
Yter er den nye babyen til Franco Serblin - grunnleggeren av Sonus Faber.
Disse kablene brukes internt i de nyere toppmodellene til Sonus Faber.
De leverer både høyttalerkabler og Interconnects.
Beklager at min vurdering er på engelsk, men det er skrevet for et utenlands forum.
Vurderingen under bygger på 100 timers innbrenning og kabler er i kontinuerlig endring til det bedre.
<What I have noticed is that in quiet passages my old EC cables seemed to give me a dark background, convincing me that the dynamic contrast was outstanding. After installing the Yters, there are no dark background anymore. The dark passages are now full of life (mostly overharmonics from cymbals, etc.). Since the cables does not produces sound on their own (they may colorize it, though), the only answer must be that the Yters reveals music present that has not been heard before. Also the soft (tube) sound signature of the EC products is greatly "tighten-up", e.g. increased attack on snares and standing bass. Lastly, for a given volume, items in my room sometimes resonnances. This was seldom experienced before. For good and bad, it seems that one have to take some beating in the pursue of High Fidelity>
Yter er den nye babyen til Franco Serblin - grunnleggeren av Sonus Faber.
Disse kablene brukes internt i de nyere toppmodellene til Sonus Faber.
De leverer både høyttalerkabler og Interconnects.
Beklager at min vurdering er på engelsk, men det er skrevet for et utenlands forum.
Vurderingen under bygger på 100 timers innbrenning og kabler er i kontinuerlig endring til det bedre.
<What I have noticed is that in quiet passages my old EC cables seemed to give me a dark background, convincing me that the dynamic contrast was outstanding. After installing the Yters, there are no dark background anymore. The dark passages are now full of life (mostly overharmonics from cymbals, etc.). Since the cables does not produces sound on their own (they may colorize it, though), the only answer must be that the Yters reveals music present that has not been heard before. Also the soft (tube) sound signature of the EC products is greatly "tighten-up", e.g. increased attack on snares and standing bass. Lastly, for a given volume, items in my room sometimes resonnances. This was seldom experienced before. For good and bad, it seems that one have to take some beating in the pursue of High Fidelity>